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For a few days after this, the man used to take his baby on his back and travel out away from the camp, walking over the hills, crying and mourning. He felt badly, and he did not know what to do.,As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,The Rodneys are, for the most part, in the library, the room dearest to them. Mona is telling Doatie's fortune on cards, Geoffrey and Nicholas are discussing the merits and demerits of a new mare, Lady Rodney in still struggling with the crimson sock,—when the door is opened, and Nolly entering adds himself to the group.,They have entered the cottage by this time, and are standing in the tiny hall.,Still onward,—lightly, swiftly: now in sight of the boundless sea, now diving down into the plain, without faintness or despondency, or any other feeling but a passionate determination to save a man's life.,"Mona," says Geoffrey, to her suddenly, in a low whisper, throwing his arm round her (they are driving home, alone in the small night-brougham)—"Mona, do you know what you have done to-night? The whole room went mad about you. They would talk of no one else. Do not let them turn your head.",Mona watches him from her window, as far as the curve in the avenue will permit, and, having received and returned his farewell wave of the hand, sits down, and taking out her handkerchief, indulges in a good cry.,"'Perdition catch my soul, but I do love thee,'" replies he, quite as softly.,She smiles again. Lady Rodney, watching her intently, tells herself if this is acting it is the most perfectly done thing she ever saw in her life, either on the stage or off it.,"Mona! Do you want me to stay?" asks he, suddenly, taking her hands in his. "Tell me the truth.","I fell a victim to your charms? No. Jack has it all to himself as far as I'm concerned. Well, I must be off, you know. It is a tremendous drive, and I'll barely do it in time. I shall be back about two in the morning.","Ah! that is because you are a man, and because you love me," says this astute reader of humanity. "But women are so different. Suppose—suppose she never gets to like me?".